TFTV Alumnus Lindsay Utz and Nels Bangerter Discover Story in Cinematic Non-Fiction
All too often a nonfiction film’s cinematic possibilities deflate in post-production, where the pressure, both internal and external, to make something formulaic becomes intense. The irony, of course, is that it is in the editing that an ambitious nonfiction film’s possibilities can be discovered, or even created. Here are two shining examples of editors steering remarkable films and filmmakers to find their full potential.
Read more about TFTV Alumnus Lindsay Utz on Indiewire.Original story