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Assistant Professor, School of Theatre, Film and Television

Assistant Professor, Social / Cultural / Critical Theory – GIDP

Marshall Bldg, Room 243
520-621-3205

PhD Film and Television Studies, University of Warwick
MA Film and Television Studies, University of Warwick
BA Philosophy, Columbia University

Dr. Anna Cooper’s research interests include classical and contemporary Hollywood, transnational/postcolonial/neocolonial cinemas, representations of gender, space/place/mobilities in film, and feminist film and media studies.

Her forthcoming monograph, titled An American Abroad: Imperialist Aesthetics in Postwar Hollywood Cinema, examines Hollywood’s development of a neocolonial film aesthetics in the period following World War II, using as its main case study a cycle of 1950s Hollywood films about European travel. It considers how elements of European colonial visual culture were adopted and transformed to suit a new U.S. imperial paradigm. It has long been argued that Europe was a primary stomping ground on which U.S. consumer capitalist neocolonialism was first forged; this book asks how U.S. film texts imagined this space in an early period of U.S. global dominance, highlighting the gaps and ruptures between Europe and the U.S. during a period of European colonial devolution and simultaneous U.S. neocolonial ascendance.

Dr. Cooper has co-edited an anthology, Projecting the World: Representing the “Foreign” in Classical Hollywood, which collects current research on representations of foreign and international space in classical Hollywood cinema (Wayne State UP, 2017).

Her latest project is on cinema and the cultures of neoliberalism. She is co-Principal Investigator of "Neoliberalism at the Neopopulist Crossroads," a Sawyer Seminar funded by the Mellon Foundation which will be running a full year's program in 2020-21.

She also recently served as guest editor for a special issue of New Review of Film and Television Studies, published in July 2019, on neoliberalism and cinema. Her contribution to the issue, an article-length introduction titled “Neoliberal Theory and Film Studies,” argues for more robust connections between these two fields given how often media and communications have been theorized as a powerful site for the dissemination of neoliberal modes of discipline.

Dr. Cooper is Co-Chair of the Classical Hollywood scholarly interest group at SCMS (the Society for Cinema and Media Studies). 

Other publications:

Courses taught:

  • Women Directors in Global Cinema
  • Colonial/Postcolonial Cinema
  • Race, Class, and Gender in Film and Television
  • The Road Movie
  • International Film and Television Business
  • Costume and Cinema
  • Chick Flicks
  • Theory and Representation in Film and Television
  • Film and Television History, Beginnings to Mid-20th Century
  • Film and Television History, Mid-20th Century to the Present

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5 hours ago
Arizona Arts

Coming up on Aug. 5, a conversation with Alex Macias Art.

from the University of Arizona School of Art
with Tucson Museum of Art and Historic Block.Meet Dr. Alejandro Macias, Assistant Professor with Arizona Arts, who recently joined The University of Arizona. Join him next week to learn more about his featured work at the Tucson Museum of Art and Historic Block. ¬°Bienvenidos Dr. Macias!
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Coming up on Aug. 5, a conversation with Alex Macias Art.

from the University of Arizona School of Art 
with Tucson Museum of Art and Historic Block.
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